Another Tequila Sunrise - Eagles Tribute

ANOTHER TEQUILA SUNRISE is America’s top Eagles Tribute band. Originally formed in 2001, this New England based tribute band has performed all over the country. They offer a sophisticated performance encompassing all the best hits from The Eagles, as well as solo material from Don Henley, Glenn Frey, and Joe Walsh. From soaring ballads to heavy rockers, with sweet vocal harmonies and jangling guitars, they cover it all. Over the years, the band has added unique features to its shows such as playing Eagles albums in their entirety.

Originally founded in 2001 as SPREAD EAGLE: A TRIBUTE TO THE EAGLES, the band was later renamed ANOTHER TEQUILA SUNRISE in 2009. With the formation of ANOTHER TEQUILA SUNRISE, LLC in 2012, the band has emerged with an all-star lineup of musicians and they have been in high demand ever since.

The band has continually raised the bar and musicianship with each incarnation, and the current line up is second to none! With several of the members dating back to the early days, the core of the band remains strong and tighter than ever.

1. STAGE AREA:

The Artist requires a minimum stage area of 32’-0”Wx 20’-0”D x 2’-0”H with one (1) 8’-0” x

8’-0” x 1’-0”/1’-6” DRUM riser and two (2) 4’-0’ x 8’-0” KEYBOARD risers. Artist shall be notified at least

fourteen (14) days prior to engagement if modifications must be made.

Stages over 2’-0” in height require a ramp AND stairs for stage access and loading equipment. Stairs should be

located either Stage left or right and the ramp preferably on the upstage.

Outdoor stages should have adequate roofing and/or covering to completely cover the performing area.

2. LOAD IN/LOAD OUT:

Artist shall be provided site access of engagement for the purpose of setting up equipment no less than six hours

prior to the start of the performance. A complete sound check shall be permitted. Purchaser agrees to notify

Artist no less than forty-eight (48) hours in advance if the time previously arranged for load in or load out of

Artist equipment is to be changed.

3. MINIMUM SOUND REQUIREMENTS

A. A minimum of one (1) Single Phase, 120VAC, 60Hz, 30 Amp Circuit and distribution as shown on the

stage plot for onstage equipment. This circuit should not be shared with any other equipment, appliances

or lighting.

B. Sufficient power and distribution on a separate service than the lighting to fully power the Main Speaker

and Monitor systems.

C. Thirty-six (36) Channel Balanced Input Analog or Digital FOH Console w/Aux Sends and FX Returns

D. Twenty-Four (24) Channel Balanced Input Analog or Digital Monitor Console

E. Eight (8) Individual Monitor Mixes w/ 1/3 Octave EQ for each mix. (Wedges should house at least one

15” Subwoofer and one 2” Driver preferably bi-amped)

F. Two (2) Side Fills as required for 40’-0”+ wide stages

G. Sufficient Three-Way Main Speaker system to maintain 100dB of clear full range sound from 40Hz to

18kHz throughout the listening area with all required crossovers, processing, compression, limiting and

EQ. (Meyer, EAW or Equivalent)

H. FOH mix position should be located centered within the audience area not less than 1⁄2 the distance of the

depth of the house and no more than 2/3 the distance or 150’-0” feet from the lip of the stage.

I. Two (2) High quality reverb units (Yamaha SPX990, Lexicon PCM 80 or equivalent)

J. One (1) Professional Quality CD Player, located at Front of House for playback.

K. Microphones, Direct Boxes, cabling and stands as required in the input list.

L. All Audio snakes, Cabling, power amps, processing, and cable ramps for a complete system.

M. If Artist is NOT contracted to provide engineer(s), Purchaser will provide competent engineers who are to

be the same engineers for sound check as well as performances.

N. All labor required to load-in, setup and load-out the audio equipment.

O. SOUND SYSTEM AND MONITORS SHOULD BE SETUP, LINE CHECKED AND RUNG OUT

PRIOR TO THE BAND ARRIVING FOR SOUNDCHECK.

P. Sound check should be completed one hour prior to opening the doors to audience. Artist reserves the

right to hold doors until sound check is complete.

4. MINIMUM LIGHTING REQUIREMENTS

A. A professional lighting system with sufficient lighting instruments, trusses, lifts and/or stands to provide a

minimum of four (4) full stage, dimmable color washes from both Down Stage and Upstage (a suggested

lighting plot can be provided if requested).

B. One (1) follow spot to be located at the Front of House (w/ R33 No Color Pink in one frame) with an

operator.

C. All Control consoles, cabling, color media, power distribution and safeties to provide a complete lighting

system.

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D. All labor required to load-in, setup, focus and load-out the lighting equipment.

E. If Artist is NOT contracted to provide a Lighting Designer, Purchaser will provide a Competent Lighting

technician to call focus, operate the lighting system and cue the follow spot operator.

F. Sufficient Power and distribution on a separate service than the audio service to fully operate the lighting

system at 0 to 100% intensity.

5. DRESSING ROOMS

6. CATERING & HOSPITALITY

A. A minimum of one (1), preferably two (2), lockable and secure dressing room(s) (or motor home) with

electrical outlets, full length mirrors and comfortable seating for nine (9) people traveling with musical

equipment, near the stage. Dressing rooms should have access to bathroom facilities that are private

and/or not accessible by the public. In hotel situations, an additional sleeping (or hospitality) room, or

nearby meeting room (preferably with bathroom facilities); can often serve as a dressing room.

B. If the dressing area is located more than 30’-0” from the stage, one 8’-0” x 8’-0” pipe and drape/quick

change booth or similar shall be provided adjacent or directly behind the stage with one full length mirror,

one 6’-0” table, one 4’-0” wide coat rack and adequate lighting in addition to the dressing area listed in

Section 5.A above.

C. Purchaser to provide adequate security for Artist personnel, instruments, equipment, vehicles, etc. from

load-in until completion of load-out.

A. At the start of load-in twenty-four (24) bottles of Non-Sparkling water are to be provided to the artist or

artist’s personnel.

B. Twelve (12) clean cloth towels are required on the stage prior to the start of the show.

C. Prior to show: one (1) hot sit down meal for the artist, stage manager, all contracted musicians in the band,

engineers and Lighting designer (if contracted by artist) is to be provided (up to a total of eleven, 11).

The meal should include a salad, entrée, fresh vegetables, dessert and iced tea, soft drinks and coffee

(with milk, cream and sugar). NO FAST FOOD PLEASE!!!

7. BACKLINE REQUIREMENTS

Drums:

DW, Sonar, Yamaha (Recording Preferred), Premier or equivalent Six Piece Drum Maple or Birch set

consisting of:

1 – 22” Bass Drum

1 – Kick Pedal

1 – 5.5” x 14” Snare (w/ Stand)

1 – 10” Rack Tom

1 – 12” Rack Tom

1 – 14” Floor Tom

1 – 16” Floor Tom

1- 14” Hi-Hat (2 Cymbals, heavy duty stand and pedal)

1 – 16” Crash Cymbal (w/ Stand and boom)

1 – 18” Crash Cymbal (w/ Stand and boom)

1 – 20”+ Ride Cymbal (w/ Stand and boom)

1 – Spare 5.5” x 14” Snare (w/ Stand)

1 – Spare Kick Pedal

1 – Spare Bass Drum Head

1 – Adjustable Throne

All Drum Heads should be either NEW or MINIMALLY worn.

All necessary stands, mounting hardware and drum rugs to be provided.

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Bass:

1 – Acoustic B300H or Ampeg SVT3PRO Head or Equivalent

1 – Acoustic B810 or Ampeg 8 x 10 Cabinet or Equivalent

1 – Fender American Precision Bass

2 – Guitar Stands or one Multi-stand

2 – 30’ Guitar Cable

All necessary cables and connections for a complete system to be provided.

Keyboards:

1 - 88 key Weighted-Action Keyboard loaded with Piano, Elec Piano, and Organ sounds (Yamaha S90,

Korg TritonProX, Korg Triton Extreme 88, or equivalent)

2 – Korg Triton Extreme 61 or 76 (or equivalent 61/76 key Semi-Weighted Synth Action Keyboard with

a variety of Orchestral, Organ and Synth Sounds: Korg Triton Studio, Korg Triton Pro, Korg

Karma or Trinity, Yamaha Motif or equivalent)

3 – Keyboard Stands (X-Brace Type)

3 – Damper Pedals (Spoon Type)

3 – Volume Pedals (Yamaha FC7 or equivalent)

2 – Keyboard Amplifier with 4 inputs (Roland KC-350, Peavey KB4, Crate KXB100 or equivalent) or a

line Mixer with Amplifier and 12" two-way cabinet

1 – Lot of cables (midi, 1⁄4”, power etc. for connecting Keyboards to House systems and any additional

keyboard amplifiers). Please have spare 1⁄4” cables on hand.

2 – Adjustable Drum Throne

Guitars:

3 – 55 to 100W 4 x 12” Guitar Amps with at least two separate channels (Clean and Dirty) with

footswitch for switching between channels – Marshall JCM2000 Triple Super Lead with Slant

Cab preferred or equivalent. (please make sure spare tubes are onsite!)

1 – Fender American Deluxe Stratocaster, setup with D’Addario XL .010 Strings

1 – Gibson Les Paul Standard , setup with D’Addario XL .010 Strings (NO Epiphone or Gibson Copies).

1 – Acoustic Steel 6 String Guitar (Takamine, Martin, Taylor or equivalent)

2 – 3 position guitar stand (Fender Multi-guitar case or Quicklok 3 Slot Guitar Stand)

6 – 30’ Guitar Cables

Wireless Vocals:

2 – Shure or Sennheiser Handheld Microphones with Receivers and Antenna Array

(Shure UHF-R U4D with Beta 58 Capsules preferred or equivalent)

Backline Technician competent in setup and tear down of all provided equipment is to be onsite while

artist and/or artist’s personnel are onstage.