Corky Siegel's Chamber Blues

Classical string quartet, blues harmonica, Indian tabla, and vocals. All original material from an award winning composer. Performances have included classical, blues, jazz venues like the Aspen Music Festival, Grand Teton Music Festival, Montreal Jazz Festival, Jazz Showcase, and blues festivals since 1987.

Watch these videos for:

1) A good idea of what we offer.
ANGEL FOOD CAKE

2) An instrumental blues/classical example
SLOW INDIGO - OP. 16 and OP. 17

3) A little extra fun
3) PIANO BLUES FOR 7 HANDS

For one single example of how a particular guest artist can be featured for a whole evening watch:
1) MISSING PERSONS with Jazz Icon Ernie Watts (just a sample)
2) LAY DOWN SALLY with R & B Diva Marcella Detroit
3) SHADOWS IN THE SHOEBOX with Matthew Santos

Few can claim to have forged an entirely original genre of music, but in 1966, Corky Siegel did just that. Guiding the blues of Howlin’ Wolf and Muddy Waters out of the smoky cavern of Big John’s and onto the stages of the Chicago Symphony, New York Philharmonic and beyond, the harmonica-playing mad scientist had the tuxedo-and-gown crowd on its feet, clamoring for more of this blues-classical alchemy. These days, the harmonica virtuoso and composer is continent-hopping with Indian percussion and string quartet in Corky Siegel’s Chamber Blues, continuing to bring classical and blues fans shoulder-to-shoulder…and obliterating musical categorization in the process. – Doyle Armbrust
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Corky Siegel is known internationally as one of the world’s great blues harmonica players, and is a celebrated composer, blues pianist, singer, songwriter, band leader and author.

Along with the likes of John Cage, Steve Reich, Phillip Glass, and Meredith Monk, he is the recipient of a Meet the Composer/Reader’s Digest Commissioning Program for New American Music grant for chamber music composition resulting in his Chamber Blues ensemble’s popular Aunt Lila’s Suite; he has also been honored with the Illinois Arts Council Fellowship Award for Music Composition, the Chicago Music Awards’ Lifetime Achievement Award, and induction into the Chicago Blues Hall of Fame.

Born Mark Paul Siegel in Chicago in 1943, Corky’s professional music career began when he founded the now legendary Siegel-Schwall Band in Chicago in 1964 with guitarist Jim Schwall. The group was a major component of the young generation of white blues artists—also including Paul Butterfield, Charlie Musselwhite, Harvey Mandel, Barry Goldberg, Nick Gravenites and Michael Bloomfield—who learned the historic Chicago blues style at the feet and hands of such towering figures as Muddy Waters, Howlin’ Wolf, Little Walter, Willie Dixon, Buddy Guy and Sam Lay.

Corky played with all these greats at Siegel-Schwall’s first steady engagement, in 1965 at Peppers, Chicago’s internationally renowned blues club. They were soon signed to Vanguard Records, with blues luminary Samuel Charters producing. Their first album, The Siegel-Schwall Band, was released in 1966, and with it the group made San Francisco a virtual second home: There the likes of Janis Joplin, Santana, Steve Miller and Joni Mitchell opened for them (Siegel-Schwall actually produced Mitchell’s demo tape); the band would record three more classic albums for Vanguard up through 1970, then five for Wooden Nickel/RCA through 1974 before going on hiatus.

In 1973 the band released Three Pieces for Blues Band and Symphony Orchestra on the prestigious classical music label Deutsche Grammophon. The titletrack was an avant-garde piece composed by jazz trombonist William Russo combining classical music played by an orchestra (the San Francisco Symphony) with blues music played by a four-piece band (Siegel-Schwall) conducted by maestro Seiji Ozawa.

Ozawa had been a huge fan of Siegel-Schwall since 1966, when he was the first music director of the Ravinia Festival–the summer home of the Chicago Symphony Orchestra. He used to see the band perform frequently at Chicago blues clubs, and suggested a blues-classical collaboration. Corky worked closely with Russo, and in 1968 they premiered Three Pieces for Blues Band and Symphony Orchestra with Ozawa and the Chicago Symphony Orchestra; its success—including a high charting Billboard pop and classical single culled from the program–led to Siegel-Schwall’s performance with Arthur Fiedler and the Boston Pops Orchestra on an Evening At Pops program for PBS, and in 1979, Deutsche Grammophon’s release of Russo’s Street Music, A Blues Concerto, featuring Corky on harmonica and piano, which received the French Government’s Grand Prix du Disque award as well as the Recording of Special Merit in Stereo Review.

After releasing three solo albums, Corky founded Corky Siegel’s Chamber Blues, featuring himself on harmonica, piano and vocals, the West End String Quartet of topflight Chicago classical string players, and Frank Donaldson on world percussion instruments. The novel ensemble performed Siegel’s pioneering blues/classical music compositions and released its first album, Corky Siegel’s Chamber Blues, on Chicago’s famed blues label Alligator Records in 1994. The album gained rave notices from publications like Billboard and Stereophile, and has been followed by two more albums.

Additionally, Corky has written and performed works for the Grant Park Symphony in Chicago (most recently Blues for a Green Planet-Opus 10) and the National Symphony Orchestra at the Kennedy Center. He composedContinuum with renowned choreographers Alwin Nikolais and Murray Louis, and his music has also been choreographed and performed by five international ballet companies and has been used for numerous motion pictures and national TV specials, as well as the Olympic men’s figure skating competition and the World Championship skating competition featuring Olympic gold medalists Torvill and Dean. His recent commission from the Lancaster Symphony Orchestra, The Symphonic Blues Suite, has already been performed many times around the world.

Corky continues to appear internationally as guest soloist with symphony orchestras including the New York Philharmonic, Orchestre de la Suisse Romande, the Boston Symphony Orchestra, Orquestra Metropolitana De Lisboa in Portugal, the Orchestre Symphonique de Montreal, the NHK Symphony in Japan, and the Philadelphia Orchestra with Maestro Charles Dutoit. He has performed many symphonic collaborations with Doc Severinsen, and also tours frequently with Dr. L. Subramaniam, India’s greatest Eastern classical violin virtuoso: These “global fusion” tours have further featured some of the top names in jazz including Ernie Watts and Larry Coryell.

Meanwhile, Corky continues to perform with Siegel-Schwall, which in addition to Schwall and longtime bassist Rollo Radford, includes drummer Sam Lay, a Rock and Roll Hall of Fame inductee as a member of the Paul Buttefield Blues Band. He is prominently featured in the acclaimed documentary Born in Chicago, which recounts the history of the ‘60s rock-blues explosion and also stars Bob Dylan, Jack White, Keith Richards of the Rolling Stones, Eric Burdon and Steve Miller, as well as Barry Goldberg, Harvey Mandel and Nick Gravenites; he has recorded and toured with Goldberg, Mandel, Gravenites and Lay as the Chicago Blues Reunion.

In 2007 Corky published the music guide book Let Your Music Soar: The Emotional Connection, co-written with Peter Krammer. And his harmonica playing accompanies the storytelling of award-winning Mexican American young adult novelist Pam Muñoz Ryan in the audio book version of her 2015 book Echo, a mysterious tale involving a prophecy, a promise and, of course, a harmonica.

by Jim Bessman

Please Note: Chamber Blues can adapt very well to technical and other limitations. So please don’t hesitate to contact me, my staff or management if you have any concerns or questions. Shure Microphones endorsed Chamber Blues and supplied all of our microphones. We bring with us everything needed that is specialized or even vaguely unusual, so interfacing with the equipment that you supply is easy. We usually use 16 channels of phantom power. We believe that creative lighting design and stage dressing (“set design”) add a lot to the total experience. This is not a requirement, but rather an available creative outlet. Feel free to have some fun with this. Our rider details our requirements. It describes a small and simple - but specific - set up. If it is acceptable to house sound tech, we do often have various members of the string quartet listen and make minor recommendations now and again to help insure a "natural" sonic experience. Most importantly, this gives the members a very good sense of the house sound which allows them to be more comfortable regarding any inconsistencies in the stage sound experience. This helps insure that the focus and goal of the sound check is having the best possible sound in the house. We look forward to working with you.