The Lola Bard Holiday Carolers
- Chicago, IL
- Christmas Carolers
- 58 Verified Bookings
Carey G. said “The Lola Bard Choir was spectacular as guest choir for Easter Sunday services. Excited to have them return!”
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I am a classically trained mezzo-soprano. I sing for weddings, parties, and services. I have performed all types of genres like opera, art song, blues, jazz, musical theatre and pop. I usually have a set depending on the style you want but I will always take personal request.
Be the first to review Eunice Ayodele, Mezzo-Soprano
Price Range: $200 and up
Languages: English, French
Not only can you expect an unforgettable performance. You are guaranteed a positive and professional personality. I can always sing as much or as little as you’d like. Capable in many genres you can always get a versatile performance.
Mezzo-Soprano Eunice Ayodele received her M.M in Vocal Performance from Bowling Green State University where she studied under Myra Merritt and her B.A. from Aurora University. With over a decade of experience in performance, she is at home in a range of styles, including opera, musical theatre, jazz, rock, R&B, and blues. Most recently, Eunice appeared as Ino in Semele with the BGSU Opera Theater and finished work as a chorus member of the Toledo Opera Company. Her other opera roles include: Kathrine from L'ivrogne corrigé, Carmen from Carmen, and Dido from Dido and Aeneas. Her musical theatre roles include: Motormouth Mabel from Hairspray, Matron Mama Morton from Chicago, and The Witch from Into the Woods.
Carey G. said “The Lola Bard Choir was spectacular as guest choir for Easter Sunday services. Excited to have them return!”
Nicole S. said “We got lots and lots of compliments at the event last might. Professional and very talented. I highly recommend!”
John H. said “I am so happy that I chose to work with Boris for my 50th birthday party. He is an incredibly talented musician and has an extensive repertoire across…”
Jeff N. said “Cecy continues to be a magnificent part of our small church's foray into "contemporary" worship”