Rachel Sigman, Soprano

Thank you for checking out Rachel Sigman, Soprano.
Clients and colleagues find Rachel to be effervescent person to work with and a truly inspiring artist on stage. She has performed with opera companies across the country and holds herself to a high standard of professionalism.

Rachel offers all her potential clients a personalized consultation to ensure that their event is the night of their life. Depending on the genre she is to perform, she will ask the client for a list of songs they want her to perform, and will give suggestions based on the clients musical tastes. She then will prepare all the music on her own for the event. She will attend a dress rehearsal for the event. The client will also be given options for her attire based on the formality of the affair.

On the date of the event, Rachel (and her pianist if she is to provide her own) will arrive an hour to an hour and a half early to get ready and to run any songs in the space if necessary. By a half an hour before the event she will be dressed and ready to perform. After the performance, at the discretion of the client, Rachel may stay and talk to guests or excuse herself for the evening.

Rachel Sigman is an Operatic Soprano based in Philadelphia, (link hidden) July, she portrayed the role of Mother in Humperdink’s Hansel and Gretel with the Miami Opera Institute. Last fall, she worked as a Resident Artist with Utah Opera.

Last spring, she completed her Master’s of Music at Rice University, under the instruction of acclaimed voice teacher, Dr. Stephen King. There, she performed the role of Lady Billows in their 2014 production of Britten’s Albert Herring. Ms. Sigman made her operatic debut with Rice University in their fall of 2012 production of Volpone as Celia. With Rice University, she was also featured in their scenes programs as Mimi from La Bohème, Ilia from Idomeneo, Rosalba from Florencia en el Amazonas, and Mrs. Fiorentino from Street Scene.

Rachel has performed extensively with the Aspen Opera Theater Center. Last summer, she understudied Sybil Vane in Loehmann’s The Picture of Dorian Grey. In 2013, she performed the role of Suor Osmina in their production of Suor Angelica, and covered the roles of Fortuna and Venere in their production of L’coronazione di Poppea. She also portrayed Pamina, La Contessa, Ilia, Anne Truelove and Laurie Moss in their various scenes programs.

I perform with a pianist, so there should be a piano or keyboard available. If outside, I would need a microphone. If inside, you'll be able to hear me, believe me.